Celemony Melodyne 5.2 now native on Apple M1

Celemony Software GmbH, Munich, May 3rd, 2022 – (ictw) – This applies to all editions of Melodyne, whether in stand-alone mode or as a plug-in – also via ARA – in almost all compatible DAWs. Melodyne 5.2 contains numerous improvements and bug fixes for macOS and Windows and for operation in all DAWs. Celemony, therefore, recommends the update to all users.

ARA:
Improvements in the playback functions, selection, cache management and blob monitoring.

Operation:
Minor improvements in the scale functions, optimizations and bug fixes in all areas of the user interface.

Compatibility: 
Optimized operation in all DAWs, correct assignment of file name extensions under Windows.

Pricing and availability:
Melodyne 5.2 is available immediately as a free update to all users of Melodyne 5.

For more information, please visit www.celemony.com.

About Celemony
Celemony is the pioneer and market leader in the musical, note-based editing of audio. The company's principal product, Melodyne, inaugurated this type of audio editing in 2001, established itself in the intervening years – for vocal editing in particular – as the standard worldwide, and has gone on pushing out the envelope in innovative audio editing ever since to the limits of what is technically possible. In 2008, for example, Celemony presented its patented DNA Direct Note Access, which extended Melodyne's editing capabilities to polyphonic audio material – right down to individual notes within chords. Subsequent versions of Melodyne brought further technological innovations: the unique Sound Editor, Multitrack Note Editing for the simultaneous note-based editing of an unlimited number of audio tracks, and sophisticated tempo and chord functions, as well as the detection and separate editing of sibilants on vocal tracks. Other important technologies developed by Celemony include the musically intelligent restoration tool Capstan and the pioneering plug-in interface ARA. Melodyne and Celemony have won numerous awards – among them, the Technical Grammy in 2012.